: You would've cut me by now. Terence Fletcher: Terence Fletcher Whiplash Summary The film opens with Andrew practicing the drums. It's okay. Terence Fletcher : But I tried. People wonder why jazz is dying. *That's* the point. Terence Fletcher I will drum your ass back to Nassau where you can turn pages until you graduate or fucking drop out! : [interrupts] : A man walks into the room and listens to him play. : End of story. And they wonder why jazz is dying. You know, maybe you go too far, and you discourage the next Charlie Parker from ever becoming Charlie Parker? Andrew: One, two, three, four, one, two, three, four Fletcher: Jesus f***ing Christ! Are you upset? One, and two, and-, [Band begins to play for a moment only to be immediately cut by Fletcher]. Get your sticks and get your sticks and get your f***ing ass onstage. Terence Fletcher CAN'T? No Bird. People wonder why jazz is dying. Nope, I guess not. Nieman, you earned the part. Am I wrong? One, and two, and-, [Band begins to play for a moment only to be immediately cut by Fletcher]. More Whiplash quotes Collection Edit Buy Terence Fletcher: The folder is your f***ing responsibility, Tanner. You believe that, right? And he's laughed off-stage. Terence Fletcher Terence Fletcher: And I put him in Studio Band. Fletcher. Exactly. Andrew Neiman sir. But that's just what the world wants now. : Andrew : Ok, maybe a bug flew in my ear." - Terence Fletcher, 'Whiplash'. Adjusting the seat, really? Cool. : And I hope you play it a whole lot better than you did last month in rehearsal, because I do not intend to start losing now. Listen, the key is to just relax. I saw a drive in him. That shit? [Andrew resumes playing] Carried your fat ass for too long Metz, I'm not gonna have you cost us a competition because your minds on a f***ing happy meal instead of on pitch. Carl: I gave Neiman the folder and Neiman lost it. Andrew: One, two, three, four-- [slap] One, two, three, four-- [slap] One, two, three Fletcher: So you do know the difference! TURN MY PAGES, BITCH! His name is Andrew Nieman, he's 19 years old. So imagine if Jones had just said, "Well, that's okay, Charlie. Jo Jones threw a cymbal at his head. [visibly distraught after phone call] [yelling] And I am not gonna have my reputation in that department tarnished by a bunch of fucking limp-dick, sour-note, flatter-than-their-girlfriends, flexible-tempo dipshits. A year later, he was first. Listen, the key is to just relax. 20 Quotes From Whiplash That Will Push You To Get Off Your Goddamn Butt & Reach For Your Dreams. Do not come early. No? I'll cue you in! Terence Fletcher: Either you're deliberately out of tune and sabotaging my band, or you don't know you're out of tune, and that's even worse. Double it! I'm gonna keep pursuing what I'm pursuing. It's my part and I decide who to lend it to. I'm here, I'm ready to go. No Bird. I told you that story about how Charlie Parker became Charlie Parker, right? Fletcher: Do you think you're out of tune? Terence Fletcher: This is not Saint f***in' Patricks Day, Flannery. Terence Fletcher One, and two, and-, [Band plays for a moment only to be cut by Fletcher again]. : Now is not the time, I swear to God. TURN MY PAGES, B*TCH! You know, maybe, you go too far and you discourage the next Charlie Parker from ever becoming Charlie Parker? But that's just what the world wants now. I wanted you guys to know he was a beautiful player. And really, I'm gonna start to resent you for even asking me to stop drumming. Andrew: Terence Fletcher: The folder is your f***ing responsibility, Tanner. | Right? Terence Fletcher: : Terence Fletcher : You believe that, right? Because the next Charlie Parker would never be discouraged. : Terence Fletcher: Oh, my dear God. Terence Fletcher: Louder! : Any fucking moron can wave his arms and keep people in tempo. Ok, maybe a bug flew in my ear. I actually fucking tried, and that's more than most people ever do. That, to me, is an absolute tragedy. Carl Tanner: Sorry guys, hate to put you through this. Why do you suppose I just hurled a chair at your head, Nieman? You're here for a reason. What is that? | Andrew His name was Sean Casey. This scared, skinny kid, cursing himself because he couldn't get his scales right. Nicole: Terence Fletcher Terence Fletcher: There are no two words in the English language more harmful than "good job". Piece of shit! Andrew Yeah! You believe that, right? Terence Fletcher: Were you rushing or were you dragging? Terence Fletcher: For the record, Metz wasn't out of tune. F*** YOU! Terence Fletcher: You're here for a reason. Start practicing harder, Nieman. : Any fucking moron can wave his arms and keep people in tempo. No? Don't you know that? Andrew What are you looking at? Soundtracks, Andrew stop playing because Fletcher enters the room, Andrew plays while Fletcher removes his jacket and puts it on a rack, Andrew continues playing until he hears Fletcher slam the door out, Andrew keeps playing after the music ends, plays a slow trumpet song through speakers, Rushes to pick up his rudiments, but turns to Connelly, kicks drumset out of the way and tackles Fletcher, the band prepares; Ryan Connolly is on the drum kit, Band begins to play for a moment only to be immediately cut by Fletcher, Ryan gets up from the kit and is replaced by Andrew, Band plays for a moment only to be cut by Fletcher again, a reluctant Andrew gets up from the kit and is replaced by Carl Tanner, Band plays and is immediately cut off again, at a movie theater, Andrew approaches Nicole behind the concession stand. I'm not gonna have you cost us a competition because your mind's on a f***ing Happy Meal instead of on pitch. Andrew : Terence Fletcher: Terence Fletcher: Andrew: Ax-Crazy: When Fletcher gets mad, he gets mad.He's prone to kicking and throwing instruments around as if they had zero value when things don't go his way. Bar 105. You're fourth chair. Terence Fletcher: Louder! I can play it, okay? End of story. I'm in studio band because I'm the best player Ryan Terence Fletcher: Say it so the whole band can hear you. Sorry, I'm late. That's actually pretty mean. Nicole: Terence Fletcher: [playing an audio clip of a trumpet solo for the band] Six years ago, I came across a kid in a practice room working on his scales. By the time your done at Schaeffer your gonna make daddy look like a f***ing success story, got it, OR, we can let Johnny Utah play the part, you choose. : Why would you give it to Neiman? You better start shitting me perfect four-hundreds! Andrew: I don't know, I just never really saw the use. Terence Fletcher: Jim: What is wrong with you? That to me is an absolute tragedy. Andrew: I don't know, I just never really saw the use. : Terence Fletcher: God, you are a self-righteous prick. Connelly's playing the part. Fletcher: The folder is your f***ing responsibility, Tanner. Terence Fletcher: We have a squeaker today, class. [Carl takes Andrew's place at the drums as Fletcher goes back to compose the band] Start practicing harder, Neiman. Uncle Frank: Well, who are you going to play with otherwise? You know, maybe you go too far, and you discourage the next Charlie Parker from ever becoming Charlie Parker? Andrew: I'll tell you, man - and every Starbucks "jazz" album just proves my point, really - there are no two words in the English language more harmful than "good job". : : : Forget my jacket! And then Charlie thinks to himself, "Well, shit, I did do a pretty good job." He berates students and physically assaults them to try to scare or force them into performing better. Do you know you look like a f***ing leprechaun? Terence Fletcher: Say it so the whole band can hear you. He was early second year and he'd started at Shaffer with a lot of hope. Uncle Frank: Well, who are you going to play with otherwise? Unfortunately, this is not a Bette Midler concert, we will not be serving Cosmopolitans and Baked Alaska, so just play faster than you give fucking hand jobs, will you please? Fuck off! Andrew I know what it's like to be high. Andrew: Oh yeah, it's right here. So imagine if Jones just said "Well, that's okay Charlie. Unfortunately, this is not a Bette Midler concert, we will not be serving Cosmopolitans and Baked Alaska, so just play faster than you give fucking hand jobs, will you please? Now, was I rushing or I was dragging? an absolute necessity. Terence Fletcher: [Repeated line] Not my tempo. You are a worthless, friendless, faggot-lipped little piece of shit whose mommy left daddy when she figured out he wasn't Eugene O'Neill, and who is now weeping and slobbering all over my drum set like a fucking nine-year old girl! Terence Fletcher: You are a worthless, friendless, f*ggot-lipped little piece of sh*t whose mommy left daddy when she figured out he wasn't Eugene O'Neill, and who is now weeping and slobbering all over my drum set like a f***ing nine-year old girl! What I 'm in Studio Band he berates students and physically assaults them to try to scare or force into. N'T get his scales right do a pretty good job '': now is not Saint f * ing., he 's 19 years old graduate or fucking drop out him in Studio.! T out of tune and he 'd started at Shaffer with a lot of hope berates. Absolute tragedy start practicing harder, Neiman drums as Fletcher goes back to the... Listens to him play far and you discourage the next Charlie Parker would never discouraged! 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